Contemplations

Into the Clouds

(no subject)
Kobato- tired
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[one-sided KobatoxFujimoto, almost-FujimotoxSayaka (much as I don't want it!) ]
From afar, as if within a dream, Kobato watched Fujimoto with Sayaka-sensei. She watched every small but true smile, every lingering glance, every gentle touch.
She wanted to cry for the impending death of her love, but the feeling at the bottom of her heart was too heavy to be dislodged by one cleansing session. All she'd get, she knew, were swollen eyes and general hopelessness. While she could still observe and hang onto her composure, heartbreak would remain at bay. Heartache and heartbreak felt very different from each other, and she much preferred the former over the latter.
Unfortunately, her clock was ticking and time was running out. She was only a few candies away from her goal (and- or, she corrected herself- two weeks away from her failure) and she needed to come to a closure now.
The problem was, it was going to be unpleasant either way. He could win Sayaka-sensei from her lingering attachment to the debt collector; he could declare his feelings for Kobato (burning eyes, intense voice, hidden sweetness...if only). But then what would she do? Leave him, and all that she had discovered? Stay, and forever renounce that place?
Currently, she was very tempted to let things run their course and leave (abandon) the two to their own developing (love) story. Fujimoto, for all of his gruffness and curt words, was not a mean or ugly man; and Sayaka-sensei was graceful where she was clumsy, assured where she was tongue-tied, womanly where she was still a child to be taken care of. They looked destined for each other, the couple that everyone smiled at and sighed over as the perfect ending to a fairytale.
But Kobato's gut rebelled against such a quiet and abrupt quitting from the scene. She had grown to know them well, especially Fujimoto (stay safe, don't work yourself so hard!) and to leave them without a farewell after all they had done for her was wrong, wrong, wrong. The most logical thing was to congratulate them and wish them well until she felt it.
A memory broke on her; the woman turning in her divorce papers, resigned to her solitary fate as her supposed mate for life, looked away for his true love. Then, Kobato cried for her, cried for her hidden unhappiness and fear at her changing life, cried for her disillusionment with happily-ever-afters.
She wished someone would cry for her.
Maybe she would feel a little better about the foregone conclusion.


Taking Stock
Kobato- tired
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The end of Thanksgiving break approaches- No!
Oddly enough, this wasn't really a break the way I usually treat breaks. I mean, I'm faced with more work near the end (as usual) but I was pretty efficient today (until now) but I didn't sleep much more than usual- about 8 hours, maybe 9?- and I didn't spend too much time just trawling the Internet pointlessly. Well, now I am, but before? Noooo, I been good!
Except I didn't practice flute at all. One extra week, wasted. Bah, I feel so ashamed next to Jen, who willingly- willingly, passionately, and strictly!- practices an hour, an hour and a half every day if she can.
I'm such a slacker.
Enough of the self-pity! I should go back to work. English; I'm amazed how a teacher can make a subject easy, fun, hard, back-breaking-- could last year and this year be any more different? I loved Mrs. Martin's class- it was challenging, more so than Turner's what's-the-point-of-this? assignments but more fun. This year- I'm getting by, but it's certainly a lot less attention-holding. I wonder if having the other, much harder teacher would have been better- worse grades probably, but at least I'm learning something and doing something I'm used to, and can keep doing. This year is monotonous, and downright messy. I see why last year's sophomores said so bluntly, 'You just meditate in his class.' Literally, we only meditate on block day, but the material is practically entirely meditation. My grammar is now entirely shot thanks to rust- probably any skill with essays is shot. Next year will be painful and humiliating, no doubt.
Self-doubt eats. Especially when others continue in their misconceptions and ignorant assurances. It's all empty, but they won't listen. It probably sounds like false modesty on top of the whole tangle.
Why does everything turn depressing after awhile? I thought seventh grade was bad, but this is subtler and more pervasive. Hopefully this will clear up next year. Please.

Spiral- the Narumis
Kobato- tired
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It's been a while since I last read the main plot- I'm pretty sure I just powered through the whole thing. Aaah, the feeling when there is something you really really want to do something is wonderful. Does bad things to your schedule and other waiting jobs, but when you're in marathon-mode, it's fun. I probably like Narumi Ayumu the most out of the entire series- his wit, coldness (this is turning into a trend) and sheer looks. Yaaay! Hiyono was pretty, but kind of boring since she didn't contribute much to the plot at all.
But the main point of going back to the series at all with a shred of interest is ch. 76, second to last page! Ayumu was...So Cool! *v*
If he was any less good-looking, I would have pegged it as waaay overdramatic, but his looks makes the moment work! Squeeee!

I did feel a little vindicated that "Hiyono" wasn't entirely play-acting when she cried after they parted. And the fact that they parted at all ensures continued angst (because angst practically defines Ayumu's entire personality) so I'm pretty pleased with it. Plus Ayumu's "I trust no one." Woot! Now there's only the epilogue chapter to go, which is pretty much spoiled from way back. Still, I don't know what their expressions are, and I'm really curious about that!

Kiyotaka didn't look much like Ayumu at all, in my opinion. They're supposed to be clones, but Ayumu looks honestly chilly, and Kiyotaka looks like he pretends to be really nice but is actually heartless. There's a significant difference! Their personalities are pretty different too, since they went through different circumstances.

New Moon...uhhh
Beauty Pop- disdain
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Well, I don't really remember Twilight At ALL, (just the last shot of some dancing, I...think?) so there's no basis for comparison, but I have a gut feeling that New Moon is better than Twilight! General consensus from fellow viewers (but they might have been influenced by Jacob's "hotness, that's close but not quite like Kanda hot." Direct quote from Isabella, with sparkling eyes and true fangirl moment. Surprising, since I thought the 'OMG *.*!' was reserved just for Allen and Kanda.
That doesn't mean it was necessarily good, it was just...better. For one thing, Jacob was really...intense. Played his character to the hilt! But Bella just angsted most of the chapter when Jacob wasn't around. In fact, New Moon just didn't really seem to cover a lot of ground. It was 2 and a half hours long, and it can probably be summed up in about 1 short paragraph. Plus, I don't really agree with how little impact the final conflict had in the movie. It was the only Bella+Edward moment, and the tension leading up to that final conflict was supposed to be Big. And yet, it was over in probably twenty minutes. Severely cut short. Really?
I suppose the movie was just supposed to milk Jacob's personality and good looks for all it was worth. Shirtless moments abound, and she does hang around him the most. Enemies appear twice or so, and the biggest threat is the Possibility- possibility!- that the enemy might come by later. Never happens.
Well, after the movies, we all met up and socialized at a Phillipino restaurant near the pasta place (where we broke the shaker- not going in there again!) The place was called Tribu Grill and had good deals- big portions, reasonable prices. I got the adobo rice (excellent sauce for the beef!) while my neighbor got noodles. Again, biiig sizes. I think I had 1/3 still left to take home. Of course, that might have been inspired by Isabella's tiny, tiny appetite ---> made me feel guilty + whale-like for eating so much. Sigh.
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Kekkaishi- O.M.G. O.M.G.
Kobato- whoa
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OHMIGOD!!! Finally puzzled through ch. 285 of Kekkaishi and now going- OHMIFRICKIN"GOD! WTF!! Hieeee! *spazzing*
Final night?!! I didn't get probably the main bit of what's going on, but I did get the fact that Karasumori is about to be moved to an actual temple tomorrow morning= tonight is its last night there!!
OHMIGOD! So what's happening next?! I want to know so badly!! GAHHH!!!!
And even though she's supposed to be nice (I think) she is thoroughly creeping me out. Especially with the way she just advanced on Yoshimori with her (permanently blank?) eyes, and just shut him up without saying anything. It was pretty amazing, since he was going full-steam and clams up halfway through as she takes one step towards him. Just one step. He instinctively backs up half a step (her presence Dominates) and she gets uncomfortably close, practically ordering him to show her his blank state. Then he is all serious and moody later, so- shudder. Makes me suspicious of her.
I was pretty surprised that the dad actually started blowing up at his wife though. (And wife? What did they see in each other? I mean, she's so cold) He was always the laid-back fussy parent that didn't show up much, and now he suddenly starts yelling at dinnertime (Dinnertime is practically sacred to him!) and stomps off. Wow. Didn't see that coming (like everything else that happened)
But- My god, the last page- way to go, I am practically on fire about the next chapter. I mean, how is that going to work? And what the heck can Yoshimori's mom do? She has to be powerful, judging from the way the family talks about her, but still- she gives off a scary feeling. And besides, with such a huge event, there has to be a plot twist or complication somewhere. Or at least, the very least, a cool Yoshimori moment? But- the mom is so strong, he pales in comparison- right?
I don't know anymore! But OMG this chapter- adds spice to the day?! *shakes head*
The suspense is killing me...

(no subject)
Kobato- tired
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The girl stared the mildly curious onlookers down, daring them to approach with false pity and condescension, daring them to ask sweetly, "Dear/Honey/Little girl, do you have someplace to stay the night?"
Because technically she does have someplace to sleep, she does have a roof over her head and a bed and parents. They just aren't very welcoming of her. But on Thanksgiving night, she was not telling anyone that. She snapped at the braver humanitarians, "Are you trying to kidnap me? Or you look like someone willing to sell me off. Which is it?"
That usually got them to go away.
But there was another well-groomed kid, two years or so older than her, who kept staring at her- not with pity, but understanding. Which in some ways, was a little worse, because she liked to imagine that this was her own little world of pain, and no one was allowed to intrude by even pretending to know how she felt.
Because they couldn't. Weren't capable of it.
She resigned herself to ignoring the searching looks. She doubted a snappy and clever retort would drive him off, especially since he looked street-wise despite his cleanliness. Another rat, another straggler of humanity, another rummager in the refuse of society would have been inured to such insults long ago.
So when he approached her, she clenched her fists in her clothes surreptitiously and shifted a little. With an older rat, it was better to be prepared and act hostile to help than present a weak front to a possible assailant. Before his first move, she couldn't assume he had the most angelic of motives.
"Here." A pack of mints landed in her lap. Orange Tic-Tacs, unopened and straight from the supermarket.
She raised an eyebrow and said, "Hope you don't think I'm naive enough to just accept that. What's the catch?"
He sat down beside her and picked it up from its landing spot. "I'm not giving it to you. I'm sharing. That sound enough like a catch?"
She shrugged uncomfortably and opened a little distance between them. "You're taking the first one."
"Certainly." He bowed, sarcasm in his sharp blue eyes, and opened it with a sure flick- practiced, she imagined, so that the paper bonds would break instantly. He fished one out with slender fingers and made a show of presenting its unmarred, glossy surface before tossing it into his mouth. He grinned mockingly- no groans of the dying, no change in expression. Also meant he wasn't moving away anytime soon.
She took the next one, the image of the ice queen to mask her embarrassment at her empty accusation laid bare.
After a few more mints shared in silence, he asked, "Like 'em?"
She muttered, "Alright. Better than original mints. Less harsh on the tongue."
He raised a blond, perfect eyebrow and teased, "But you're fine with a harsh tongue on me."
She flushed, though it didn't show up on her face, and bit her lip. Anything more could dig her into a deeper hole.
At her silence, he prodded, "Nothing to say to that? Your tongue loses its edge so quickly?"
She hissed, "Either get away, or stop it. Take your little mints somewhere else."
He subsided. She was surprised that her company, prickly and standoffish though it was, actually still held him here. She asked him, "Going home for a Thanksgiving dinner?"
He shot a look at her, measuring her again, before smiling crookedly. "Nowhere to go. You too?"
Normally she would have dodged the question, but this time she answered. "Nope. Guess we're spending the holiday together."
He laughed, a caw and a bell harmonizing strangely. "What a thing to be grateful for."
She summed up her feelings in one word.
"Yup."
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Listen and Learn
Beauty Pop- disdain
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(Following Meet and Greet)
"What's going on?"
"I thought I just told you: she --her name's ~~~ by the way-- is taking us me to the Con-meeting. We You might learn something that you can use to get out of here. And since I haven't told you yet, please don't make me go back. I like this world, thank you very much."
"But I can't not have a shadow! People would talk! And what's the Con-meeting?"
"Let them talk. It's not like it's my business- you deal with it. The Con-meeting is a meeting where any problems that can't be resolved privately are taken. It's like a court where the majority of attendees will make the final decision."
"Oh...but how do I know what's going on?"
"...I'll tell you."
"Really? Oh thank you! Thank you very much shadow!"
"Don't fawn on me. And don't ask for running commentary; I'm not a tireless machine who serves your every need. Don't make a sound unless you absolutely have to- above all, stay hidden."
"But I thought the whole world was flat. How can I hide if there's nothing to hide behind?"
"Who told you that? We just passed by a 3-d building. It doesn't have a shadow, of course, since there's no sun; but inanimate objects can stand. Shadows save a lot more space by casting on a chair instead of casting full-length on the floor."
"...There's no sun?"
"Look up, you idiot. Notice a lack of blinding sunlight?"
"Oh. Oh yeah! Heeheehee. So, what does casting mean?"
"Where shadows appear. It's impossible for a shadow to exist in mid-air, so casting is the process of showing up against a surface."
"Oh...but how do you know all of this stuff if you've never been here before?"
"Do you ever stop asking questions?"
"It's part of my job as a journalist! People tell me my questions are cute."
"Well, I don't think so. Has it ever occurred to you that they might be lying to you so they might be promoted?"
"But they're so nice to me! Besides, their parties are a lot of fun. They couldn't possibly be that sly."
"...Your name defines gullible, I swear. Hey, hide in that corner and stand very still. Shadows will think you're a new furniture style and ignore you. If they cast on you, let them. Things don't move suddenly if they aren't alive, not even here."
"Yes sir!"
"Say that a few more times without acting dumb in between, and I will officially like you."

-----
Hm, is the male shadow too mean? He's supposed to be, but is it too obvious and unlikeable? Does the woman sound ditzy?
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Meet and Greet
Kobato- tired
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(Following Shadow of Essence)
"Okay, so let me get this straight. You're a person, a...human, you say."
"Uh-huh!"
"You're solid, and you actually create a shadow."
"Yup! My shadow follows me everywhere."
"...You mean you're following him everywhere."
The woman shrugged, choosing to ignore the point. "So, where I live, humans like me create the shadow because of light. Without us, shadows wouldn't exist."
The inky silhouette on the ground, conspicuously minus a 3-dimensional body, recoiled and laid a hand over her...mouth. (It was hard to tell features on a face that was completely black.) In strange whispers, sound rustled around her ears in barely-understandable chunks. The woman's shadow translated in a bored tone, "How do your shadows talk then, or go anywhere, or even," he paused theatrically as the female shadow squirmed, "have children?"
The woman looked embarrassed, and cleared her throat before answering, "They don't. In fact, we think of shadows as something there but not conscious. Our shadows don't talk, not even to us."
The female spoke again. The woman's shadow listened, nodded, and grinned. (The woman's skin crawled involuntarily at the white, empty leer in the shadow.) "You humans are strange. I would never want to be there." He added, "A sentiment I completely agree with."
The woman sighed vapidly, "Well, you like a world that understands you; I want to go back to a world that understands me." She addressed the stranger-shadow, "Do you know how to leave this place."
The separate blot shook her head emphatically, and the woman's shadow interpreted, "As far as she knows, no one has ever encountered another world's existence, much less how to get there." He leered again, "That means you're stuck here. Forever."
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A Ride without Wheels (Kobato.)
Kobato- fujibato
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Kobato walks slowly, fully absorbed in the natural fall beauty. She is so interested in a leaf splashed with red that she never notices Fujimoto until he speaks.
"Hey," he says. "Are you okay?" She doesn't like being called hey, but at least he doesn't call her Hey, you anymore.
She answers brightly, "Nope! I'm perfectly healthy!" Despite the reminder that she is nothing more than a co-worker, the color show has put her in too good of a mood to be brought down by his disinterest in her.
She steps forward and spins backwards to face Fujimoto, intending to change the topic. Unfortunately, she never even gets past walking forward. An innocent crack in the concrete catches her foot, sending her sprawling face-down.
She comes up spluttering, hair a mess, and brushes herself off. Her right ankle twinges, but she dismisses the pain. It can't be that bad, and she's taken plenty of falls to take another one in stride. She walks forward-
-and nearly buckles under her weight on the ankle. Apparently it is a little worse than she thought it is.
Fujimoto catches her, warm hands clasping her arms gently. He helps her sit down and repeats, "Are you okay?" His voice is a lot nicer now, her mind comments irrelevantly. She nods vigorously (she doesn't like to worry people) but winces automatically when his fingers probe her ankle.
"That's not fine," he says, and doesn't wait for her response before pronouncing, "Sprained ankle. Ice it as soon as you can, and don't walk on it for at least four hours."
She nods, and looks everywhere else but at him. She expects him to leave soon, but she hopes against hope for a second that he will stay.
So she is taken by surprise when Fujimoto kneels... )

Learning
Kobato- fujibato
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Kobato knows some things as absolutely true: her name, her mission, and the job.
Her mission: to heal hearts and collect candies until the bottle is full. Only then can she go to the special place.
The job: to help at Yomogi Nursery so she can heal Sayaka-sensei.
In the beginning, the job is a phase in her mission. Her energy and enthusiasm easily slip into the nursery's routine, and eventually become routine.
Without fanfare or special notice, Fujimoto stops scowling suspiciously at her every move. The children expect her clumsy falls like clockwork. Sayaka-sensei smiles more and relaxes.
Kobato relies on them as part of her life. The job becomes her job, and her job becomes the mission. And eventually, she learns to time her rush to school a scant minute before she's late. She learns every child's favorite activity. She learns to protect Sayaka-sensei from the debt collector's warnings.
With more time, she learns to turn her head at a flash of long auburn hair- at the supermarket, on the streets, behind the plastic table. With more time, she learns to wake up earlier and listen to his quiet padding around the neighboring room, fighting sleepiness the whole time. With more time, she learns to catch a tiny glimmer of his smile every day on arrival.
With more time, she steps a little deeper into love.
Slowly but surely, the children quiet down around the two, sneaking away in clumps to give them privacy. Sayaka-sensei prods at Fujimoto in isolated moments, snickering whenever he is caught off-guard.
An unacknowledged relationship forms, of teases and fights and tight hugs. He protects her, and she heals him. It is a happy time, sweet like clear water and uncomplicated unlike TV dramas.
All the while, candies add up in her bottle until, to her surprise, only one more is needed within the next week to fulfill her wish. To go is to leave Fujimoto for the special place she had always yearned for, but to stay is to give up her dream. She cannot make a decision until the last day, thinking about the dilemma long and hard. Even on the last day, she still isn't altogether sure if either move will give her what she really wants. But there is no more time; the sun is setting.
With shaking hands, she lifts her filled glass bottle to the reddish-yellow light, watching sunbeams dance through the tiny gaps between candies. She imprints the image on her mind, along with everything that has ever happened on Earth.
Then she drops the bottle.


Kobato- and Fujimoto!
Kobato- fujibato
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For once, I watched the anime before the manga! The main character Kobato is so sweet and cute- the stereotypical shoujo character patterned right on Sakura/Nadeshiko and those other bubbly girls to come- but you can't resist the charm anyways. There's a reason the shoujo mold came about- it works.
It's almost wrong to say it, but the other half of the reason why I like it so much (maybe even 60% of the awwws/SQUEEE!) is Fujimoto. *blissful grin* Fit to split my face right now actually, but I can't! Help! It! He's so good-looking! Maybe it's his hair (SqUEEEEeeeeeee!!!! Fangirling like crazy!) and the awesome hairstyle (looks so...cool. ^.^) or just the fact that he has all of Clamp's bishounen qualities (tall, skinny, strong- why can't we Asian women be that tall too?!!!) but whenever I see him- celebations!
So we have sweet, aww-inducing main character + really-really-good-looking guy = Pairing! Naow!! Yes. And even better, it is COnFirmED!! that Kobato likes him! Yes! Win!!! ...Except for one teensy-weensy insignificant detail.
Or two.
1: It's UNconfirmed that he likes her Back. Which is the other part to having a fluffy and sugary cute couple; no requited love = suffering. And usually I like angst, so I should be happy. Or at least fine with it. But this is Kobato! Cute, endlessly-smiling, naive, pure angel! Suffering makes me sad when it's on her part, because it's so rare. More than just sad, it's weird that something can bring her down. Uncomfortable. And it's not just that he's single. There is a good chance that *le gasp* he likes his co-worker Sayaka-sensei, who just happens to be older than him and divorced from her husband ( 'ello! Age difference much?) that she probably still misses, ignoring the fact that he is a yakuza trying to close down her school. Um. Proof that love is blind?
Still, the signs are there. Fujimoto always tries to help her out by having waaaay too many part-time jobs (how does he find them all?!) and actually dropping out of college, and he always looks out for her. He's always so kind to Sayaka-sensei and obviously content in her presence, whereas he worries for Kobato and... yeah. Treats her well, and that's it. Not that he doesn't care about her (light at the end of the tunnel!) but what if he only worries for her like she's his little sister? Little sister is not comparable to boyfriend-girlfriend Squeeness!
2: I'm actually not very sure of this information because it doesn't actually appear anywhere in the manga itself, but she is apparently not allowed to fall in love with the person she is healing. And since she is around him, and he happens to be obviously heart-wounded, the attempt at healing is assumed. So...is this fact true? Because if it is a restriction- we're looking at one-sided FujiBato. No!! But this is Clamp, there is precedent for the content unrequited crush, sooooo...*worries*

Shadows of Essence
Beauty Pop- disdain
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"Now, what do I do, what do I do? This way or that? Is it okay to do this? Ohh dear oh dear," she fluttered, hand to her heart. She looked to the side and said, "Well, what do you propose?"
it was just about to answer when the woman scoffed and laughed, "Why am I asking myself this? Silly me." Offended, it snapped back, "Well excuse me. There's a big difference between you and me."
The woman eeped and looked around in panic, hand clutching her heart tightly. It cleared its throat impatiently. The woman glanced down and said, "Oh, it's you, shadow," relief in her voice.
"Right, you forgot again, didn't you?" It sighed. "Look, you know there's a difference between light and shadow?"
"Yes."
"See, there you go. You and I are different from each other."
The woman nodded in understanding but the shadow warned, "Come on now, say it."
The woman ducked her head, but admitted, "Well no, not exactly." She sniffed theatrically. She suddenly stared at her shadow, insisting, "I don't want to be dumb, really!"
The shadow sighed. "A flame and the shadow it makes are different things, as you agreed. We are like the flame- you, the corporeal, bright and passionate flame; and me, the cooler, more secretive opposite."
The woman nodded again, though the shadow did not question her this time. "Here, the corporeal has been burned away, and only the shadows are left. No one else like you seem to be around, so be careful of who sees you until we know more."
The woman giggled, "Usually, the phrase is 'Be careful of who you see, but now it's the other way around!"
The shadow stared at her witheringly until the fit had passed.
"Okay, so first we'll go to--"
"KYAAA!" "IYAaa!"
The shadow looked like it wanted to hit something. Hard, until blood was drawn. "First rule already broken. Wonderful."
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(no subject)
Kobato- tired
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Thursday, actually participated in the class fundraiser. I'm actually the slightest bit impressed with myself for figuring out a day with little enough homework to spend about two hours not under the excuse of 'doing homework'. I mean, there's probably two hours already wasted on procrastination, but yeah.
Edit: Fundraiser was a lot of fun. Two days of hectic work for Jen (starting all over again for Key club now) but interesting. Lots of laughs, random updates (learned why Alishy hates Jen's ex so much now, because of the muddy sponge + white dress moment) and surprising moments.
1. I kinda impressed myself by asking the couple next to us for the English interview, mostly because I was desperate. It was good, because the man had a lot to say and wasn't afraid to bring in all sorts of historical support, but then they just kept on going, and going, and...yeah. Dinner was cooling, friends were laughing, and I am missing! Out! But it'd be way too mean and impolite to break it off, so I settled for meaningful hints, which they got. Yay.
Though it was seriously embarrassing when Jen was saying, 'You're so brave! Good job!' because that sounds like they bite. And they don't, really. And even now, Paula and Isabelle seem overimpressed with asking them some questions. I feel like I got over it once I was used to talking with them. And again, they were very nice people, even stopped to talk with us before they left.
2. Now I know Alishy is a black hole on legs, able to consume 8 plates of food, while Paula  ate really lightly. So why is she always picking bits from our lunches but modest at Sweet Tomatoes? And somenow we got pretty introspective on our past and future. College, elementary school, personal growth, personal goals, the like. Puts a different dimension on us, talking about this.
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Secret Melancholy of Kyon
Kobato- whoa
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The girl pounded the side of the wagon, which rumbled with metallic vibrations. "Faster! Hurry up!" she demanded stridently. The boy panted behind her, leaning over until he was almost parallel to the ground. "I'm...trying to!" he grunted, sweat popping out on his forehead. The sun grinned down mercilessly at his misfortune.
The girl crossed her arms and pouted, before abandoning the passive act and shouting, "I order you to hurry up Kyon, or I will get very angry at you!"
The boy huffed, and refrained from mentioning the fact that she had been shouting at him even before his muscles had started to give up. His hands hurt from various blisters threatening to tear, his feet ached from standing all day, and his neck refused to turn without locking up on him.
All of this physical misery, just so the (insane, whimsical, unrealistic) girl could have her wagon ride. And even before the back-breaking work of pushing her (he wasn't allowed to "ruin the view with his back by pulling") she insisted on a pumpkin riding with her. And before that, the wagon had to be brimming with dry hay, "to set the holiday tone."
He just wished the wagon had come with the accessories. He would even have appreciated an electric wagon with a motor, but pragmatically, he knew it wasn't going to happen.
Then again, pragmatism calmly informed him that he was not pushing a 110-pound girl plus pumpkin, because that was stretching- actually, more like jumped the barrier- reason too far. But his body was complaining all too loudly, and so he continued to hope for the electric wagon.
And he just realized he had no idea how long she wanted to go.
Tomorrow was going to be very painful.

(no subject)
Kobato- tired
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The boy wished he was a patho- patho- pathological liar (though he didn't know what it meant). All he knew was that they really, truly believed what they said, no matter how weird they may be.
If he was a patho- pathological liar, then when he said he was working, and looked deep into Mommy's eyes, Mommy would see it. Mommy would recognize the sincere, heart-deep words and smile. Smooth his hair, mock-lecture him about going to bed earlier, tuck him in tight and read him a story.
Curled up around the flapping and untidy sheets, his hands continued to sting.

The boy snuck out two copies of the multiplication homework. One for him, one for the bully. Only he wasn't allowed to call him that. The bully was called the class repesentive. The class repesentive had asked (using the leadership skills the teacher talked about) him to do his homework. And he used his fists for good measure. (This was a prime example of being asertive. If he was asertive himself, maybe he could get something too.)
Cowed by the asertive fists, the boy had caved in (why didn't he think of the I message?) and meekly taken the paper (except being meek was bad, bad, bad boy!) to stuff in his backpack next to his own cleaner paper.
He hadn't looked at it closely, so now he just noticed that the homeworks assigned for the class repesentive and him were...different. The bu- class repesentive!- had two-digit multiplication and division. He just had two-digit multiplication, and review addition problems.
He chewed his lip, a bad habit he had learned recently (but Daddy does it, why can't I?) to think. He could try to do the extra work (homework builds character!) and probably mess up, or ask for help and possibly be discovered (I'm helping someone because they asked me to) but get the answers right.
This was a huge problem.
He settled into his chair with a hard wiggle, mind made up firmly forever. He'd risk asking, and ignore other questions about whose homework it was exactly.
Simple as that.

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